The Reading List

"She knew she was going to have trouble believing in herself, in the room of her house, and when she glanced over at this new book on her nightstand, stacked atop the one she finished last night, she reached for it automatically, as if reading were the singular and obvious first task of the day, the only viable way to negotiate the transit from sleep to obligation."
                                                                                -Michael Cunningham, The Hours
 
What a week.  I have been run off my feet at my day job.  And at night, I have been stressed - exhilaratingly stressed - finishing off the edits to my book in time for my agent to take it to the London Book Fair.  Now that my book is finished (or finished at least until my friend, Diane, another writer, finishes giving it her final read through, for tweaking), I don't know what to do with myself.  Last night, I indulged in my first cigarette in months and also began reading The Hours, which I've been meaning to read ever since I saw the movie years ago. 

While watching the film, I recall identifying most closely with Clarissa (Meryl Streep), but upon reading the novel, it's a different character, Laura Brown, who pulls at my sympathies most urgently.  The avid reader, the repressed housewife.  She's the one whose story beckons to my imagination and lets me see shades of my own former miserable self and uplifts me in surprising ways.  Laura Brown literally reads her way into another life - gradually, at first, as the simple tasks of caring for her son and baking a cake for her husband's birthday compete with the illicit pleasure of reading Mrs. Dalloway, a novel that she strangely, exquisitely, identifies with, even as it illuminates her own stifled condition.  Although it first seems she's simply reading for escape, just the opposite ends up being true.  Reading Mrs. Dalloway pushes Laura to change her life in frightening, unthinkable ways.  And as I'm reading, I find myself remembering the moment in my own life when reading so transformed me.

It was six years ago, the year I'd moved to Berlin.  I was in the second to last year of my Ph.D., and I was supposed to be immersed in my dissertation, writing five to ten pages at Staatsbibliothek every day.  But the temptation of being a flaneuse in Berlin's graffiti-filled streets - touring the makeshift galleries and experimental music venues and clandestine bookstores - was simply too great.  The grand theoretical intervention that my dissertation was supposed to be making melted away, and I remember the illicit rush of thinking, Screw it, I'm just reading for fun today.  The first book I picked up was Accidents in the House by Tessa Hadley.  I remember its black cover very clearly.  It's a collection of linked short stories about a group of people, primarily women, and by the end of the book their fates have reversed in ironic, inspiring ways.  The story stayed with me and my desire to read for pure pleasure, too.  A dangerous drug.

Although I did eventually plough through my dissertation, I could never truly envision myself as a professor after I'd read that book, after I'd allowed myself that momentary freedom.  And a few years later, I walked away from my life in a small university town, heading for some unforeseeable future. 

Photo from: here