"An engrossing and charming memoir about getting back to basics: home truths, family, and the life-altering, life-saving power of books."
-Emma Donoghue, author of Room
"The Reading List brims with frankness, provocative wit and acute insights into our hearts and psyches."
-Kerri Sakamoto, author of The Electrical Field
"I’ve read a lot of good memoirs, but it’s a rare talent that can weave together so many threads – family, love, literature, career angst – so effortlessly as Leslie does in The Reading List."
-Micah Toub, author of Growing Up Jung
My Reading List
- Book #66: Possession by AS Byatt
- Book #65: Love in a Fallen City by Eileen Chang
- Book #64: A Student of Weather by Elizabeth Hay
- Book #63: A Visit from the Goon Squad by Jennifer Egan
- Book #62: Girls Fall Down by Maggie Helwig
- Book #61: 1Q84 by Haruki Murakami
- Book #60: Half-Blood Blues by Esi Edugyan
- Book #59: In the Miso Soup by Ryu Murakami
- Book #58: The Sense of an Ending by Julian Barnes
- Book #57: Alligator by Lisa Moore
- Book #56: Return Trips by Alice Adams
- Book #55: Girls in White Dresses by Jennifer Close
- Book #54: The Elementary Particles by Michel Houellebecq
- Book #53: Sarah's Key by Tatiana de Rosnay
- Book #52: A Mercy by Toni Morrison
- Book #51: The Finkler Question by Howard Jacobson
- Book #50: Hotel on the Corner of Bitter and Sweet by Jamie Ford
- Book #49: Through Black Spruce by Joseph Boyden
- Book #48: After the Quake by Haruki Murakami
- Book #47: The Good Doctor by Damon Galgut
- Book #46: TOK: Writing the New Toronto ed. Helen Walsh
- Book #45: Divisadero by Michael Ondaatje
- Book # 44: Walden by Henry David Thoreau
- Book #43: The Hours by Michael Cunningham
- Book #42: The Paris Review Interviews, vol. 4
- Book #41: Brick Lane by Monica Ali
- Book #40: Finding the Words ed. Jared Bland
- Book #39: Shanghai Girl by Wei Hui
- Book #38: Room by Emma Donoghue
- Book #37: The Paris Review Interviews, vol. 2
- Book #36: Lolita by Vladimir Nabokov
- Book #35: Looking for Mr. Goodbar by Judith Rossner
- Book #34: Surfacing by Margaret Atwood
- Book #33: The Professor's House by Willa Cather
- Book #32: Growing Up Jung by Micah Toub
- Book #31: Dashiell Hammett: A Daughter Remembers by Jo Hammett
- Book #30: In a Strange Room by Damon Galgut
- Book #29: The Sun Also Rises by Ernest Hemingway
- Book #28: Jewels by Dawn Promislow
- Book #27: February by Lisa Moore
- Book #26: As I Lay Dying by William Faulkner
- Book #25: Camera Lucida by Roland Barthes
- Book #24: Impounded by Dorothea Lange
- Book #23: Farewell to Manzanar by Jeanne Wakatsuki Houston
- Book #22: A Curtain of Green and Other Stories by Eudora Welty
- Book #21: The English Patient by Michael Ondaatje
- Book #20: Obasan by Joy Kogawa
- Book #19: The Ash Garden by Dennis Bock
- Book #18: The Professor's House by Willa Cather
- Book #17: Paper Shadows by Wayson Choy
- Book #16: A Gate at the Stairs by Lorrie Moore
- Book #15: The Girl Who Played with Fire by Stieg Larsson
- Book #14: Too Much Happiness by Alice Munro
- Book #13: Shanghai Girls by Lisa See
- Book #12: The Maltese Falcon by Dashiell Hammett
- Book #11: Corked by Kathryn Borel
- Book #10: Barnacle Love by Anthony De Sa
- Book #9: On Photography by Susan Sontag
- Book #8: Illuminations by Walter Benjamin
- Book #7: Mrs. Dalloway by Virginia Woolf
- Book #6: The Black Album by Hanif Kureishi
- Book #5: Dubliners by James Joyce
- Book #4: The Enigma of Arrival by V.S. Naipaul
- Book #3: The Year of Magical Thinking by Joan Didion
- Book #2: The House of Mirth by Edith Wharton
- Book #1: Walden by Henry David Thoreau
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Monday, February 21, 2011
Book #39: Looking for Diversions
"I often fell asleep on top of my manuscript, then woke with a swollen cheek. Sometimes, when the wall clock's silver hands pointed past twelve, I would imagine I was hearing things. Those sounds would recur, like the snoring of the electrical repairman next door, the boom of a crane on a far-off building site in the dead of night, or the hum of the refrigerator in the kitchen."
-Wei Hui, Shanghai Baby
After a three day stretch of living in my pajamas, I finished writing the last chapter of my book yesterday. I stole one of my boyfriend's cigarettes to celebrate and huddled in my bathrobe on our snow-crusted patio overlooking the park, a cold lucidity filling my lungs.
I wanted to feel tranquil and savour the moment, but just the opposite was so. Editing. Ugh. I have one week to edit the manuscript as a whole before turning it over to my editor for her final comments and revisions.
I realized this morning that I definitely prefer writing to editing. There's something so much more satisfying about putting pen to paper and forming words afresh compared to cutting and moving stuff around. A few hours of editing simply doesn't make me feel like I've had my dose of writing for the day.
Seeking some diversion from the task at hand, I picked up Shanghai Baby, which I've been reading intermittently over the past couple weeks, and found myself suddenly engrossed in the final chapters. It's an autobiographical novel by Wei Hui, a young Shanhainese writer who lives a madcap, near schizophrenic life - caught between waxing lyrical about Henry Miller and Marguerite Duras and lusting after the latest Yves Saint-Laurent wallet. While writing and secluding herself with her own thoughts - some of which are surprisingly beautiful reflections on the ephemeral quality of twenty-first-century life - she also finds time to engage in games of love and deceit at Shanghai's hot night spots, bringing into focus a city made for film noir, full of old world glamour, decrepit architecture, fast money. My favourite scenes are almost reminiscent of the films of Wong Kar Wai (speaking of whom I may watch Fallen Angels tonight to reward myself for making some headway with this editing business).
Photo from: here
-Wei Hui, Shanghai Baby
After a three day stretch of living in my pajamas, I finished writing the last chapter of my book yesterday. I stole one of my boyfriend's cigarettes to celebrate and huddled in my bathrobe on our snow-crusted patio overlooking the park, a cold lucidity filling my lungs.
I wanted to feel tranquil and savour the moment, but just the opposite was so. Editing. Ugh. I have one week to edit the manuscript as a whole before turning it over to my editor for her final comments and revisions.
I realized this morning that I definitely prefer writing to editing. There's something so much more satisfying about putting pen to paper and forming words afresh compared to cutting and moving stuff around. A few hours of editing simply doesn't make me feel like I've had my dose of writing for the day.
Seeking some diversion from the task at hand, I picked up Shanghai Baby, which I've been reading intermittently over the past couple weeks, and found myself suddenly engrossed in the final chapters. It's an autobiographical novel by Wei Hui, a young Shanhainese writer who lives a madcap, near schizophrenic life - caught between waxing lyrical about Henry Miller and Marguerite Duras and lusting after the latest Yves Saint-Laurent wallet. While writing and secluding herself with her own thoughts - some of which are surprisingly beautiful reflections on the ephemeral quality of twenty-first-century life - she also finds time to engage in games of love and deceit at Shanghai's hot night spots, bringing into focus a city made for film noir, full of old world glamour, decrepit architecture, fast money. My favourite scenes are almost reminiscent of the films of Wong Kar Wai (speaking of whom I may watch Fallen Angels tonight to reward myself for making some headway with this editing business).
Photo from: here
Labels:
Shanghai Baby,
Wei Hui,
Wong Kar Wai,
writing process
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About Me
- Leslie Shimotakahara
- Toronto, ON, Canada
- Leslie Shimotakahara is a writer and recovering academic, who wanted to be simply a writer from before the time she could read. Hard-pressed to answer her parents’ question of how she would support herself as a writer, Leslie got drawn into the labyrinthine study of literature, completing her B.A. in Honours English from McGill in 2000, and her M.A. and Ph.D. in Modern American Literature from Brown in 2006. After graduation, she taught English at St. Francis Xavier University for two years. Leslie woke up one morning and realized that she’d had enough of the Ivory Tower. The fact that she wasn’t doing what she wanted to do with her life loomed over her, and the realization was startling. It was time to stop studying and passively observing life and do something real instead. She needed to discover herself and tell her own story. This blog and the book she has written under the same title (Variety Crossing Press, spring 2012) are her foray. Last year, Leslie was selected as an Emerging Writer in Diaspora Dialogues and read at The Word On The Street. Her writing has been published in TOK: Writing the New Toronto, Maple Tree Literary Supplement, and GENRE.


2 comments:
Congratulations on finishing your last chapter! I'm with you - I hate editting especially other people's reports. Good luck!
Thanks! I think the key is to indulge in lots of pleasure reading between editing sessions.