Book #39: Looking for Diversions

"I often fell asleep on top of my manuscript, then woke with a swollen cheek.  Sometimes, when the wall clock's silver hands pointed past twelve, I would imagine I was hearing things.  Those sounds would recur, like the snoring of the electrical repairman next door, the boom of a crane on a far-off building site in the dead of night, or the hum of the refrigerator in the kitchen." 
                                                                                                     -Wei Hui, Shanghai Baby
 
After a three day stretch of living in my pajamas, I finished writing the last chapter of my book yesterday.  I stole one of my boyfriend's cigarettes to celebrate and huddled in my bathrobe on our snow-crusted patio overlooking the park, a cold lucidity filling my lungs.

I wanted to feel tranquil and savour the moment, but just the opposite was so.  Editing.  Ugh.  I have one week to edit the manuscript as a whole before turning it over to my editor for her final comments and revisions.

I realized this morning that I definitely prefer writing to editing.  There's something so much more satisfying about putting pen to paper and forming words afresh compared to cutting and moving stuff around.  A few hours of editing simply doesn't make me feel like I've had my dose of writing for the day. 

Seeking some diversion from the task at hand, I picked up Shanghai Baby, which I've been reading intermittently over the past couple weeks, and found myself suddenly engrossed in the final chapters.  It's an autobiographical novel by Wei Hui, a young Shanhainese writer who lives a madcap, near schizophrenic life - caught between waxing lyrical about Henry Miller and Marguerite Duras and lusting after the latest Yves Saint-Laurent wallet.  While writing and secluding herself with her own thoughts - some of which are surprisingly beautiful reflections on the ephemeral quality of twenty-first-century life - she also finds time to engage in games of love and deceit at Shanghai's hot night spots, bringing into focus a city made for film noir, full of old world glamour, decrepit architecture, fast money.  My favourite scenes are almost reminiscent of the films of Wong Kar Wai (speaking of whom I may watch Fallen Angels tonight to reward myself for making some headway with this editing business).

Photo from: here