"An engrossing and charming memoir about getting back to basics: home truths, family, and the life-altering, life-saving power of books."
-Emma Donoghue, author of Room
"The Reading List brims with frankness, provocative wit and acute insights into our hearts and psyches."
-Kerri Sakamoto, author of The Electrical Field
"I’ve read a lot of good memoirs, but it’s a rare talent that can weave together so many threads – family, love, literature, career angst – so effortlessly as Leslie does in The Reading List."
-Micah Toub, author of Growing Up Jung
My Reading List
- Book #66: Possession by AS Byatt
- Book #65: Love in a Fallen City by Eileen Chang
- Book #64: A Student of Weather by Elizabeth Hay
- Book #63: A Visit from the Goon Squad by Jennifer Egan
- Book #62: Girls Fall Down by Maggie Helwig
- Book #61: 1Q84 by Haruki Murakami
- Book #60: Half-Blood Blues by Esi Edugyan
- Book #59: In the Miso Soup by Ryu Murakami
- Book #58: The Sense of an Ending by Julian Barnes
- Book #57: Alligator by Lisa Moore
- Book #56: Return Trips by Alice Adams
- Book #55: Girls in White Dresses by Jennifer Close
- Book #54: The Elementary Particles by Michel Houellebecq
- Book #53: Sarah's Key by Tatiana de Rosnay
- Book #52: A Mercy by Toni Morrison
- Book #51: The Finkler Question by Howard Jacobson
- Book #50: Hotel on the Corner of Bitter and Sweet by Jamie Ford
- Book #49: Through Black Spruce by Joseph Boyden
- Book #48: After the Quake by Haruki Murakami
- Book #47: The Good Doctor by Damon Galgut
- Book #46: TOK: Writing the New Toronto ed. Helen Walsh
- Book #45: Divisadero by Michael Ondaatje
- Book # 44: Walden by Henry David Thoreau
- Book #43: The Hours by Michael Cunningham
- Book #42: The Paris Review Interviews, vol. 4
- Book #41: Brick Lane by Monica Ali
- Book #40: Finding the Words ed. Jared Bland
- Book #39: Shanghai Girl by Wei Hui
- Book #38: Room by Emma Donoghue
- Book #37: The Paris Review Interviews, vol. 2
- Book #36: Lolita by Vladimir Nabokov
- Book #35: Looking for Mr. Goodbar by Judith Rossner
- Book #34: Surfacing by Margaret Atwood
- Book #33: The Professor's House by Willa Cather
- Book #32: Growing Up Jung by Micah Toub
- Book #31: Dashiell Hammett: A Daughter Remembers by Jo Hammett
- Book #30: In a Strange Room by Damon Galgut
- Book #29: The Sun Also Rises by Ernest Hemingway
- Book #28: Jewels by Dawn Promislow
- Book #27: February by Lisa Moore
- Book #26: As I Lay Dying by William Faulkner
- Book #25: Camera Lucida by Roland Barthes
- Book #24: Impounded by Dorothea Lange
- Book #23: Farewell to Manzanar by Jeanne Wakatsuki Houston
- Book #22: A Curtain of Green and Other Stories by Eudora Welty
- Book #21: The English Patient by Michael Ondaatje
- Book #20: Obasan by Joy Kogawa
- Book #19: The Ash Garden by Dennis Bock
- Book #18: The Professor's House by Willa Cather
- Book #17: Paper Shadows by Wayson Choy
- Book #16: A Gate at the Stairs by Lorrie Moore
- Book #15: The Girl Who Played with Fire by Stieg Larsson
- Book #14: Too Much Happiness by Alice Munro
- Book #13: Shanghai Girls by Lisa See
- Book #12: The Maltese Falcon by Dashiell Hammett
- Book #11: Corked by Kathryn Borel
- Book #10: Barnacle Love by Anthony De Sa
- Book #9: On Photography by Susan Sontag
- Book #8: Illuminations by Walter Benjamin
- Book #7: Mrs. Dalloway by Virginia Woolf
- Book #6: The Black Album by Hanif Kureishi
- Book #5: Dubliners by James Joyce
- Book #4: The Enigma of Arrival by V.S. Naipaul
- Book #3: The Year of Magical Thinking by Joan Didion
- Book #2: The House of Mirth by Edith Wharton
- Book #1: Walden by Henry David Thoreau
Powered by Blogger.
Wednesday, March 23, 2011
Book #42: In the Waiting Room
"I can't imagine anyone becoming a writer who wasn't a voracious reader as an adolescent. A true reader understands that books are a world unto themselves - and that that world is richer and more interesting than any one we've traveled in before."
-Paul Auster, The Paris Review Interviews, Volume IV
Revising my book has been a curious activity. It's a bit like looking in the mirror and trying to remember how I looked a year and a half ago (when I first began writing my memoir) or better still, three years ago (when I was still trapped in the dreary life of an English professor and having a meltdown in tandem with my father's - our twin breakdowns forming the subject matter of my three hundred pages). But now, as I look back on that time in my life, I feel weirdly distant from the neurotic, panic-stricken woman I was back then (well, still a little neurotic, I guess). Such is the editing process.
My publisher's main criticism was that in certain sections, she wanted "more Leslie." In a few areas, she feels the prose is still a bit too intellectual (the very mousy self I'd come to loathe!) So that's what I've been working on for the past two weeks - injecting more of my authentic, unfiltered voice. And the experience has been therapeutic, to say the least.
There's also been a certain amount of traipsing around the city involved in the final stretch of writing my book. One of the scenes I was reworking is set in the hospital waiting room where I sat for so many hours as a young teenager, chewing my fingernails and awaiting the next round of medieval treatments in store for my scoliosis. Reading over the scene, I was suddenly overwhelmed by this fear that I'd described the waiting room all wrong - that wasn't at all how I remembered the plastic benches and hyper sanitized surfaces and lame murals of dragons and rainbows. The feeling lingered, sharp and disorienting, and later that day I couldn't resist my desire to return to that very place, that very waiting room. I wanted to examine the tiles and breathe the vaguely sweet, antiseptic air and search - once again - for vestiges of my old self. But it was the end of the day, and the waiting room was completely empty.
Still, it was oddly moving to be back there and I found myself wandering around the ortho ward for some time. I paused outside an exam room where I caught a glimpse of a surly, stringy haired girl slouching down in her chair, her arms crossed like her stomach hurt, while a white-haired doctor prattled on. Ah, yes. I had her number. I stood in the shadows of the door, mesmerized.
It must have been around that time in my life that I turned to the solitary, inward compensations of reading.
Photo from: here
-Paul Auster, The Paris Review Interviews, Volume IV
Revising my book has been a curious activity. It's a bit like looking in the mirror and trying to remember how I looked a year and a half ago (when I first began writing my memoir) or better still, three years ago (when I was still trapped in the dreary life of an English professor and having a meltdown in tandem with my father's - our twin breakdowns forming the subject matter of my three hundred pages). But now, as I look back on that time in my life, I feel weirdly distant from the neurotic, panic-stricken woman I was back then (well, still a little neurotic, I guess). Such is the editing process.
My publisher's main criticism was that in certain sections, she wanted "more Leslie." In a few areas, she feels the prose is still a bit too intellectual (the very mousy self I'd come to loathe!) So that's what I've been working on for the past two weeks - injecting more of my authentic, unfiltered voice. And the experience has been therapeutic, to say the least.
There's also been a certain amount of traipsing around the city involved in the final stretch of writing my book. One of the scenes I was reworking is set in the hospital waiting room where I sat for so many hours as a young teenager, chewing my fingernails and awaiting the next round of medieval treatments in store for my scoliosis. Reading over the scene, I was suddenly overwhelmed by this fear that I'd described the waiting room all wrong - that wasn't at all how I remembered the plastic benches and hyper sanitized surfaces and lame murals of dragons and rainbows. The feeling lingered, sharp and disorienting, and later that day I couldn't resist my desire to return to that very place, that very waiting room. I wanted to examine the tiles and breathe the vaguely sweet, antiseptic air and search - once again - for vestiges of my old self. But it was the end of the day, and the waiting room was completely empty.
Still, it was oddly moving to be back there and I found myself wandering around the ortho ward for some time. I paused outside an exam room where I caught a glimpse of a surly, stringy haired girl slouching down in her chair, her arms crossed like her stomach hurt, while a white-haired doctor prattled on. Ah, yes. I had her number. I stood in the shadows of the door, mesmerized.
It must have been around that time in my life that I turned to the solitary, inward compensations of reading.
Photo from: here
Labels:
editing,
Paul Auster,
scoliosis,
writing process
Subscribe to:
Post Comments (Atom)
About Me
- Leslie Shimotakahara
- Toronto, ON, Canada
- Leslie Shimotakahara is a writer and recovering academic, who wanted to be simply a writer from before the time she could read. Hard-pressed to answer her parents’ question of how she would support herself as a writer, Leslie got drawn into the labyrinthine study of literature, completing her B.A. in Honours English from McGill in 2000, and her M.A. and Ph.D. in Modern American Literature from Brown in 2006. After graduation, she taught English at St. Francis Xavier University for two years. Leslie woke up one morning and realized that she’d had enough of the Ivory Tower. The fact that she wasn’t doing what she wanted to do with her life loomed over her, and the realization was startling. It was time to stop studying and passively observing life and do something real instead. She needed to discover herself and tell her own story. This blog and the book she has written under the same title (Variety Crossing Press, spring 2012) are her foray. Last year, Leslie was selected as an Emerging Writer in Diaspora Dialogues and read at The Word On The Street. Her writing has been published in TOK: Writing the New Toronto, Maple Tree Literary Supplement, and GENRE.


4 comments:
I like your blog! How did your father do after his "meltdown"? I'm looking forward to your memoir.
Over the course of the year long period I write about in my memoir, my relationship with my father did eventually improve, but not until we had both confronted certain demons in our pasts.... Thanks so much for your kind words about my blog!
I was icing a cake yesterday, and it began to fall apart in chunks, and I had to use way too much icing to keep it together. Suddenly I was a child again.
Keep up the thoughtful posts. I enjoy reading them!
I love those Proustian moments, when the simplest things in everyday life can evoke the most vivid memories....